A bilingual play on stationary bicycles

RPM has to be one of the coolest projects I’ve ever worked on. Getting together with my collaborator of almost 10 years, respected Quebec theatre artist Émilie Gauvin and writing on bikes for a month was truly incredible. We ended with a workshop presentation at the Studio de creation of Théâtre français de Toronto made possible by the generous support of tout le monde s’appelle Alice, Conseil des arts et des lettres du Québec, Théâtre Français de Toronto, Quad Spinning Gym and Domestic Tragedy Press. We are planning for the next phase now.